Zeiss Supreme Prime lenses cover full frame and even bigger sensors with an image circle of 46.3mm. They are compatible with all the latest camera models - such as the Sony Venice, ARRI Alexa LF and RED Monstro. Colour matched across the full range and feature a fast T-stop of T1.5.
Add to kit listThe ZEISS Supreme Prime lenses are designed for cinematic large-format sensor coverage, making them the ideal choice for current and future camera systems. At T1.5 the ZEISS Supreme Primes demonstrate their unsurpassed craftsmanship in tricky low-light environments. They give the creator absolute control by revealing subtly nuanced details in deep shadows and bright highlights.
A very smooth transition between in-focus and out of focus areas characterise the unique look of the ZEISS Supreme Prime lenses. This adds richer texture and greater depth to the image. The lenses are developed for modern digital cinematography with cutting-edge optics and key enhancements to aid the HDR process. They maintain dynamic range and micro contrast levels fine-tuned to bring out details in the shadows and the mids.
The ZEISS Supreme Primes possess a look, which ensures freedom in creating the look you want to achieve. With captivating clarity, they ensure that you can capture every detail in the expression on an actor’s face to convey and emphasise emotion. Especially when capturing crucial textures such as skin tones, the unique quality of the ZEISS Supreme Prime lenses is a gentle sharpness that renders a crisp but organic look.
The unique ZEISS eXtended Data technology off erslens metadata critical for VFX-intensive productions and work flows on set. It unifi es two data sets: key lens data based on the open Technology standard and supported by a wide range of cameras and accessories, plus ZEISS-specific lens data that contains precise shading and distortion characteristics of the lens. The frame accurate information about focal length, focusing distance, T-stop and depth-of-field enables the camera assistant to work more precisely and eliminates guess work for the DIT. The ZEISS specific distortion and vignetting data makes shooting grids redundant and accelerates compositing and stitching in post-production
Compact and lightweight:
Large-format coverage and high speed:
Versatile look and gentle sharpness:
