Decimator DMON-16S 16-way Multiviewer
This little unit packs a punch. Taking up to 16 inputs and processing them to show all 16 PiPs on one screen with AMUs, UMDs and Tallies.
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This little unit packs a punch. Taking up to 16 inputs and processing them to show all 16 PiPs on one screen with AMUs, UMDs and Tallies.
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Enjoy superb image quality, whatever you are photographing. From street reportage to location portraiture and landscapes in the evening light, the EOS 5D Mark IV captures incredible detail, even in extreme contrast. 4K video delivers new levels of performance. Continuous 7fps shooting helps when chasing the perfect moment, while GPS keeps a record of your movements. Wi-Fi and NFC make wireless control and image sharing quick and easy.
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The 5601MSC Master Sync and Clock Generator is a broadcast quality, master sync pulse generator (SPG) and a master clock.
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The Hyperdeck Extreme 8k HDR is the first recorder to include, HD, 4k and 8k recording formats. With industry standard connectors this recorder is a must on location.
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The ZEISS CP.2 25mm T2.1 Compact Prime Lens is a wide angle, prime lens that ZEISS has optimized for motion pictures. This wide angle lens supports full frame format cameras, with coverage for up to 36 x 24mm. The cine-style housing features industry standard gearing for the focus and iris barrels, and the longer, cine-style focus "throw" enables more precise adjustments.
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The ZEISS Compact Prime CP.2 135mm/T2.1 PL Mount is a cine prime lens designed for filmmaking and video production applications. Aside from great optics and mechanics, it offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity.
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An ultra-telephoto CINE-SERVO lens, the CN20 x50 IAS H E1/P1 offers stunning 4K performance, 20x zoom and a 1.5x built-in extender for an unrivalled 50-1000mm focal length (75-1500mm with extender). Ideal for sports events and wildlife applications.
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By utilising the latest in Aputure COB LED technology, the 300d Mark II outputs a whopping 20% more light than its predecessor. When combined with the Fresnel 2X, the 300d Mark II can produce up to 80,000 lux, approaching the luminance of a 575W HMI. As always, the 5500K-balanced 300d Mark II maintains impeccable colour fidelity with CRI and TLCI ratings of 96+ and 97+ respectively.
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The new BI-FLEX4 Kit builds off of the original BI-FLEX 1×1 Kit, but this one is 1×4 and can be rolled up into a tube. Exceptionally well-built, splash-proof*, bi-colour LED light with superior light output and quality.
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